The Perfect Man For Everywoman

By vagueonthehow

I've just started writing a new single title. It's at such an early stage I haven't even decided on a working title yet, but I already had a pretty good idea of my hero's attributes before I sat down at the keyboard. As always, I based the best bits of his character on my lovely OH. That leaves me free to indulge my fantasies, and dream up a hero who's gorgeous to look at as well as a real Alpha male.  That means tall, dark, handsome, preferably with tousled hair.  Of course, he's got to be well muscled with a good broad chest (heroines for the comforting of). The funny thing is, that description sounds like my OH, too. That's the point where I start trawling the Internet to add a little variation to my mental images. My daughter has a thing for Ian Somerhalder, so he was first up on my inspirations board under the heading "hero". Pretty hunky, huh?

Then, while I was drafting this blog I had Classic FM playing online. Their home page featured a photomontage of a recent performance of Parsifal with Jonas Kaufmann in the title role. Now, I don't care for Wagnerian opera, but the photograph of Jonas having his clothes torn off by a bunch of wicked women (all in character, of course!) almost made me a convert. Oh, yes, and Jonas sings like a hero, too.
Here's a clip - at first I thought it was floodwater sloshing around their ankles, but to judge from the state of those bedclothes, they must have Ribena on draught...

It's going to take a bit of work to track down a likely picture of a heroine for him. His Cinderella is an unhappy girl who has got into the habit of eating to get herself through life's ups and downs. Then a life changing experience leaves her destitute. She could solve all her problems in an instant by selling her home to our hero (above) but disaster changes her. After being betrayed by her ex-boyfriend, she's assumes he's trying to trick her. At first she can't see past our hero's battle-hardened public image at first, and in any case she's too stubborn to take his money. That would be too easy!  It's only when she glimpses the real man behind the mask that she decides a compromise might work - but only on her terms. He's not a man to see a woman starve, though, so there are going to be fireworks. I'm visualising a twenty-five year old Dawn French while I write, but as I can't find any suitable pictures of her, there's currently a gap on my inspirations board under "heroine".

Have you got any  suitable candidates? There's a signed copy from my backlist for the best suggestion!

Christina Hollis has written both Historical fiction and Modern Romance/Presents for Harlequin Mills and Boon Ltd, as well non-fiction for national magazines and prize-winning short stories. Her current release, Lady Rascal is available for download from  Amazon, iTunes  and many other retailers. Christina loves to hear from readers - you can contact her through her website or her blog.

MEN and BABIES by Bronwyn Jameson

My current work in progress is an unplanned pregnancy book (tentatively scheduled for March 09) and this week I've been thinking about my hero, an alpha of the cool, controlled, emotionally aloof variety, and how this baby will bring him undone. I haven't written a new baby scene for years and years -- I am thinking that A Tempting Engagement (2003) may have been my last. And that wasn't the hero and heroine of that book's baby, but the couple from the previous book. Is there no more heart-squeezing scene than that of a big, tough alpha turned to goo by a tiny bundle of babydom? Don't you love that image: the contracts of size and strength, the parallel of vulnerability? Who is holding who in the palm of their hand?

I've been thinking about that and thinking about my own dad, a stoic, capable gentleman who didn't make many mistakes...except in the aftermath of new fatherhood. In those days it was the father who filed the birth details and my dad, well, he got it wrong. Several times. My elder brother and sister, both names spelled incorrectly. My youngest sister, names written down in the wrong order so her middle name became her first.

And then there's me.

By the time I reached age 17 there'd been a deal of ribbing over my father and the not-quite-right names. I thought I'd gotten off scot free. Even though my name is the most difficult of the five, Dad spelled it correctly. Then I applied for my birth certificate and discovered I'd been registered with the wrong birth date. A simple mistake, we laughed a lot, but it's been causing me grief ever since. By that time I'd already used my real birth date for some documentation (e.g. my bank and school) while everything official such as my driving licence and passport required the date on my birth certificate.

Every so often I get caught out answering the questions to verify my identity. "Birth date," says the impersonal voice on the end of the phone. And I automatically give my real birth date, then comes the stumbling explanation, the dubious silence, and another six or ten questions because they didn't quite believe me.

My father, being male, never owned any of these mistakes. "The clerk must have written it down wrong," he would say. I blame the enormity of the new baby experience--an alpha with all control taken out of his hands--and how that combination turns the most capable, careful man to quivering ineptitude. I love it; how about you? Do you love a good alpha + baby storyline? Have you read one lately you can recommend, because after writing this post I find I am quite in the mood.

Inside the Writing Life for Lucy Monroe

Is there anything sexier than a super studly, oh so stubborn Scottish laird? I sure didn't think so when I was writing Annabelle's Courtship. (Well, okay, *maybe* dh, but that's it! LOL) The thing is I had so much fun with this book, writing it just for me. Not for a deadline, not for a particular publisher, just because I'd dreamt up these characters and could no more hold back from telling their story than I could from breathing. Writing is like that for me, absolutely necessary.

I never realized how much so until this past year when some health issues made it difficult to concentrate on my stories. I'm not a super nice person when I don't write and I've got a husband and houseful of teenagers who will verify that for you without blinking an eye. :) They will also verify that to interrupt me when I'm writing the black moment is a very bad thing, but dh doesn't mind the consequences of certain types of scenes and I'm sure you know what they are. Yikes...did I really say that? I guess I did. LOL

And there were times writing Deal With This (Nov 27th release) that I laughed out loud and man, my family appreciated that mood. :) Dh also got some special time 'cuz you know Alan and Jillian are a bit flamboyant and theories have to be tested and all that. But I'm not just talking about gasp...can I say it? SEX...I'm talking about EMOTION too.You've no idea how many discussions I've had with my own wonderful alpha hubby over a hero's motivations and actions. Ian from Annabelle's Courtship and Alan from Deal With This are no exceptions. I won't tell you which one he identified with most easily, but I will say that many things may change over history, but certain truths about alpha men are not on that list. :)

I've got a question for you all though, Annabelle's Courtship came out first as an eBook (it'll be in print in the Fall of 08) and Deal With This will naturally come out in print first and electronic format shortly thereafter. What I want to know is, do you read eBooks and if so, do you read them when available by print authors, or do you have certain authors you buy exclusively in electronic format? I know that I tend to buy a whole set of autobuy authors in eBook and another set in print and then there's a group I insist on having both editions of - for different types of reading (in bed at night versus in the hot tub, you know...lol).

Hugs,

Lucy

P.S. I love to give away prizes, so one winner randomly drawn from the comments on this post will receive a personalized signed ARC for DEAL WITH THIS.