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Showing posts with label Music. Show all posts
Showing posts with label Music. Show all posts

Sunday, October 23, 2016

The Music Behind What the Gambler Risks

It's no secret that music plays a big part in all of my books, whether they are stand-alone books or parts of a series. Music actually plays a big part in my life - from the time we wake up in the morning until we go to bed, music is usually playing somewhere in the house.

What kind of music is the best music? All of it, really, depending on what else is going on. When I'm cooking, I'll shuffle through all 1432 songs on my iPhone. I have a playlist for when I'm working out, another for when I'm waiting in the carpool pick-up line at bebe's school. When I'm drafting, I'll either have my white-noise app playing (a mix of nature and mellow guitar music) or turn on the light classical station on our TV.

As I'm drafting, though, I'm thinking about pop, country, oldies, rock, and even holiday songs that fit my characters or the plot or a specific scene. And, when the draft is turned in and I'm beginning to think about polishing and revising, those songs become a new playlist - one that gets a pretty heavy workout of its own.

I'm just finishing up my Billionaire Cowboys trilogy - book three released earlier this month - and for that series I actually had a series-specific playlist, and each book had it's own playlist, too. Some of the artists that made the series playlist include Elvis (how could he not? the books were set in Las Vegas, after all!), Kenny Chesney, Smokey Robinson, Train, and Wilson Phillips. Here's a peek into the songs that spoke to me while I was writing What the Gambler Risks: 

Brothers Osborne - 21 Summer
Zac Brown Band - Beautiful Drug
Ashes Remain - On My Own
A Thousand Horses - Smoke & This Ain't No Drunk Dial
Chase Rice - MMM Girl
Taylor Swift - I Knew You Were Trouble
Dierks Bentley - Riser

But the song that got the most play? Sugarland's Run - here's the video, which I absolutely love...it really evokes both Jase and Sabrina, for me:


Okay, readers, your turn to share - does music play a part in  your life? Who are some of your favorite artists? 

Kristina's third Billionaire Cowboys book, What the Gambler Risks, is available now from Crimson Romance. Here is a bit more about Kristina's book:

What the Gambler Risks: 


Best-selling author Kristina Knight's Billionaire Cowboys are back for one final ride with this seductive story of long-simmering feelings and hot Vegas nights.

Twenty-something ice queen Sabrina Smith enjoys the fame and fortune she's found writing self-help books for a largely female audience. Her readers hang on every word of how the Vegas Virgin - an unflattering and inaccurate moniker given to her by a local shock jock - juggles dating, working, and friendships in Sin City.

And that's why Jase Reeves spells trouble.

Jase knows Sabrina's secret - that she's not nearly as cold as she would like people to think - and he's through keeping it. He didn't intend to have a one-night stand with the Vegas Virgin, but now he can't get her out of his head. And he can't keep living this lie.


With Jase back at the tables in Vegas, Sabrina has one goal: stay away from the handsome gambler before he melts her career - and her heart.

Buy What the Gambler Risks: Amazon  B&N  Kobo  iBooks

You can find out more the book and Kristina on her website, and feel free to stalk follow her on FacebookTwitter or Instagram

Thursday, June 23, 2016

The Music Behind: Protecting the Quarterback

If you've followed me much on social media - or visited my house or ridden with me in a car or...you get the picture - then you know music plays a big part in both my writing and my life.

Music plays from the time we get up in the morning until we turn in for the night - country, pop, R&B, showtunes, jazz...it can all be heard in our house at one time or another.

The same is true for my writing. Depending on the stage of my books, I'll listen to different types of music. Lately, I've been in a country music phase - Dierks Bentley, Chase Rice, Carrie Underwood, Miranda Lambert...those are a few of my favorites. Some songs are purely for fun (think Drunk on a Plane or Somewhere on a Beach by Dierks Bentley), some are for atmosphere (think Take Your Time by Sam Hunt).

The playlist for my latest Harlequin Superromance was especially eclectic - I listened to the Muzak version of old showtunes during the drafting phase (I'm not sure why, the channel on my DirecTV channel just spoke to me), but the actual playlist was definitely country-heavy.

Here's a peek inside the playlist I created for Protecting the Quarterback:

I'm Just a Girl by Deana Carter
Tattoos on This Town by Jason Aldean
Bourbon in Kentucky by Dierks Bentley
American Honey by Lady Antebellum
Beer with the Boys by Chase Rice
Broken by Lifehouse
Come Away with Me by Norah Jones
Cruisin' by Smokey Robinson
Don't Write Me Off by Hugh Grant

That's a just a peek inside. Some of these were favorites before I wrote this book, but they're all on my favorites list now.

What about you? Do you have a favorite song right now?

Kristina Knight's latest release, Protecting the Quarterback, releases May 1 from Harlequin Superromance: 

This is more than just a game … to her

Sports broadcaster Brooks Smith has always been more involved with the game than the players. But after she shares the spotlight at an awards ceremony with tabloid sensation Jonas Nash, one night of letting her guard down around the infamous quarterback spirals into many heated days and nights together when she gets assigned to the story of the year…

The hottest player in professional football is hiding a secret that could end his career for good. Now Brooks is caught on the sidelines between the job she loves and the man she is falling in love with.

Amazon  B&N  KOBO  iBooks  Harlequin

You can find out more the book and Kristina on her website, and feel free to stalk follow her on FacebookTwitter or Instagram

Friday, September 25, 2015

Kristina Knight: Behind the Book: The Rockers Series

I'll let you in on a little secret: I can't write without music. Seriously. My brain stops sending messages to my fingers and I freeze. Sounds crazy, doesn't it? A writer should be able to write from anywhere...and I can, as long as there is music, too.


I know several writers who listen to a specific playlist from the start of a project all the way through edits. I don't do that. My writing process requires different types of music for different areas: when I'm drafting, it's light classical or jazz. No Muzak and no instrumentals of popular songs because I'll wind up singing and not writing. Once the draft is in the can and I'm on to edits, my playlist comes into play, and it will have a little bit of everything from pop and rock to country and even some oldies thrown in for good measure. While I'm editing, the songs on  my playlist will help me remember the mood of a scene or the crux of my hero's or heroine's problem...or the song will remind me of the book in general.


Here's a sampling of the playlist behind my Rockers series: Light My Fire, Start Me Up and Call Me.

1985 by Bowling for Soup
Springsteen by Eric Church
Raise Your Glass by Pink
Ring of Fire by Johnny Cash
Light My Fire by The Doors
Dance Forever by Allstar Weekend
Daylight by Maroon 5
Cruisin' by Smokey Robinson
Come Over by Kenny Chesney
(Kissed You) Goodnight by Gloriana
Here Comes Goodbye by Rascall Flats



An Excerpt from Light My Fire:
#1:
“Don’t.” Her words were a whisper, but still loud in the back of the limo.
            “Don’t, what?”
            Finally she looked at him, her deep brown eyes molten in the darkness. “Don’t be my brother’s best friend tonight. Don’t be my cheerleader. Just…” Her hand trembled against his on the cool leather seat. “I’m not America’s favorite sixteen-year-old any longer. I don’t need to pretend I’m still sixteen, and the magazines are already burning me at Trey’s sacrificial altar, so why not send that old image up in flames all the way?”
            She leaned across the seat, brushed her sweet lips across his cheek, and Nate nearly lost it. He was holding on by a thread. This was Lily.
            The same girl he’d grown up with. The Lily who’d brought him home after school because she noticed he hadn’t eaten lunch for three days. The Lily who cheered for him at the high school talent show. The Lily who couldn’t really want him, because if she did…he would ruin her.
            Nate groaned when her lips brushed against his. A bit of her hair had come loose from the sleek updo and brushed against his neck, fanning that trickle of flame even hotter.
            Her hand traced the line of his jaw, and Nate’s resistance burned to the ground. He pushed her back into the corner and dug his hands into her hair. “You don’t know what you’re asking for.”
            She panted. “I know exactly what I want, Nate Lansford, and what I want is you.”
            Nate lowered his lips to hers, tasting the sweetness of her lips for the first time. Her tongue tangled with his, pushing him further, asking him for more. And Nate gave it.
            When Lily arched her back, Nate reached for her breast, feeling her nipple pucker beneath the fine silk of her dress. She moaned, a tiny sound, but it was enough to pull him back into the present.
            What was he doing? This was Lily. The girl who made him want to be more than the kid from the wrong side of Malibu’s tracks. His friend.
            He couldn’t mess that up.
            Nate pushed away from her, fisting his hands in his hair as he tried to put a few more inches between them. The back of the limo was too tight. He was too close to Lily. He needed air. Space.
            Distance.
            “I’m sorry.” His voice was rough. “That shouldn’t have happened.”

#2:
Nate smiled at her. “Still putting on a show?”
            She could only shake her head.
            “Because I’m about through watching it.”
            Her belly twisted at the innuendo. “Sometimes you have to be part of the sh—”
            He put his index finger over her lips. “No quippity-quips. Not now, Lil. Let’s just dance, okay?”
            Her lips burned under his finger, but she nodded and slid into his arms as the DJ switched from bass-thumping fun to guitar-sensitive slow.
            Nate slid his hands beneath her coat and reached under the camisole to play with the sensitive skin at the small of her back. And she melted into him. Lily rested her head below his shoulder and twined her fingers with his. She sighed at the rightness of being in his arms, even in the middle of a crowd and fully clothed.
            He played his fingers along her sides like a piano and then worked his way around to the small of her back again, burning her from the outside in. Lily swallowed. She might want Nate, but she wasn’t ready for him.
            Wasn’t ready for whatever this was building between them.
            A small part of her still wanted the Nate she remembered—the boy who stood up to school-yard bullies for her, who smiled at her and only her while he performed before the rest of the student body in talent shows. The boy she shared her lunch with, the boy who took her to the senior prom when Bailey Yeardley stood her up at the last minute. She had so many memories with Nate, and almost all of them also involved her brother. What if whatever this was messed up not only her friendship with Nate, but also Chase’s?
            Her waking up a year ago and realizing the boy she’d grown up with had become a heart-stoppingly attractive man didn’t mean a thing . He was still her brother's best friend. He might be the guy who would give the reporter's something to talk about besides her show being cancelled, but that wasn't a good enough reason to act. Not if they couldn’t salvage their friendship when this lust train arrived at the next station.

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An Excerpt from Start Me Up:
She sat back, crossing her arms over her chest. "You can't be serious."
            His posture was the exact opposite of hers. Everything about him was opposite. Where she wore a pretty Stella McCartney blouse and prim pencil skirt, he wore ripped jeans and a tight black tee. Her strappy Manolos hadn't a single scratch. His Dr. Martens had to be from 1999 and looked like they'd cleaned up after one too many groupies in the green room.
            You're in control here, Nina. You're the professional. He's the client. Shoo him away like the ass he really is.
            Oh, but what a fine ass he has, the part of her brain she was definitely not listening to today said.
            "I assure you I'm serious. I need a non-clingy, well-proportioned date for a gala fundraiser in two days and I'd prefer she have no illusions as to what this is about." He sat forward in his chair and Nina was sure she saw his abs ripple. She caught her breath and then forced her gaze from the spectacle and back to those blue-blue eyes. And promptly forgot to breathe again. "The money raised will keep music programs in at least fifteen local schools. To keep the cash coming I need the headlines to be about the event, not my social life."
"Then you should go alone."
"Going alone will keep the gossip rags talking. What I need is a pretty date for a one- night-only performance."
            Nina blew out the breath she'd been holding. She didn't believe for a second this was a mercy date situation. More like a mercy hookup. She didn't do hookups. Her business set up marriage minded people who were matched based on an algorithm her aunt developed ten years before. An algorithm that had made the company a go-to in Los Angeles.
            She shot a glance out the window at the press corps on the sidewalk below her window.
            Well, until this morning, anyway.
"I think you've got my firm confused with…something else entirely, but for future reference—" she typed a few words into the search engine on her computer and flipped the screen to face him "—I am a matchmaker. A noun, meaning one who arranges relationships or marriages." She opened the next tab and gestured to the computer screen. "I am not a madam, although madams are also nouns. There is a very large, very cavernous area between matchmaking and houses of prostitution."

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An Excerpt from CALL ME:
“Hello, Josh,” she said, echoing his tone from a few minutes before.
            He blinked and then sat up straight. “What the hell are you doing in my car, Kat?” His smooth baritone slid over her senses and, just like that, she was pulling herself back from the abyss she’d been in five years before. This was just a one-night stand. Nothing to get excited about.
            Okay, one thing to get excited about. He knew all her secret places. She knew how to push him to the edge. And in the past few years, they’d probably both learned a few new things.
            “What do you think I’m doing here?” she countered, crossing her legs and spreading her arms over the back of the seat. “You practically invited me.”
            The car began moving. Well, at least he hadn’t kicked her out of the limo.
            “I said hello.”
            “You told me not to leave on your account.”
            “And then you did.”
            “I thought you might want a little more privacy.” She slid across the side bench to Josh’s seat, bent her leg to sit sideways and rested her head against her elbow. “This is pretty private, I’d say.”
            He watched her for a long moment. “You’re here for sex.”
            Kat nodded. “I don’t usually go for casual, but since we have a history, this isn’t your typical one-night stand.”
            “This isn’t what I expected when I came down here tonight.”
            “This isn’t what I expected when I showed up for work tonight.” She reached out to trace her finger along his jaw. That contact zinged along her nerve endings straight to the butterflies flapping around in her belly, electrifying their beat.
            “I’m headed straight to the airport.” He leaned toward her.
            “LA traffic’s a bitch no matter what time of day it is.”
            “You’re not the girl I remember.” This time he reached for her, his hand drawing a path of fire down her arm. “The girl I remember—”
            She cut him off before he could get started on the girl she used to be. The girl who was of so little importance he felt no qualms about walking away from without a single word. Well, she’d grown up since then. Had other relationships. Sure, none of them as serious or deep as what she thought she’d had with him.
But then, she’d never really had him, had she?

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Once upon a time, Kristina Knight spent her days running from car crash to fire to meetings with local police--no, she wasn't a troublemaker, she was a journalist. Her career took her all over the United States, writing about everything from a serial killer's capture to the National Finals Rodeo. Along the way she found her very own Knight in Shining Cowboy Boots and an abiding love for romance novels. And just like the characters from her favorite books, she's living her own happily ever after.
Kristina writes sassy contemporary romance novels; her books have appeared on Kindle Best Seller Lists. She loves hearing from readers, so drop her a line!  Website  Facebook

Wednesday, August 26, 2015

Eve Gaddy: The Allure of Notes

I have an endless fascination with notes. I write them. Everywhere. On stickies, in notebooks, on magazines and random pieces of paper. On napkins, paper towels and tissues. I even use the notes in my phone sometimes, or the note function on my computer.

I write notes about my books. Notes out the ying-yang. I have attempted (note the word attempted) to organize my note taking by buying several hundred different notebooks. Okay, that's an exaggeration... Maybe. But I do have a lot. I try to have one for each book or series I'm working on or will be working on. I have one for songs because I have a song of the day I put on social media, as well as a playlist for every book. I have one labeled Miscellaneous. I have another labeled social media, computer stuff and Scrivener.


You know what they have in common? They could all be labeled miscellaneous. The song notebook comes closest to have nothing but songs in it. But even that one has some random notes about something completely unrelated to music. Just a few pages, though.

The problem is that I never seem to have the correct notebook when I need it. And if I can't find the notebook immediately, I grab the nearest one. Or the nearest available writing surface. Consequently, when I go looking for notes say, on my newest Whiskey River book, One Night With The Bad Boy:



I have to look through nearly every one of my notebooks to find what I'm looking for. Not to mention, the loose pieces of paper with notes on them. Often, when and if I do find what I'm looking for, I can't read my handwriting. It's very frustrating. Every few weeks (months?) I go through and try to reorganize my notes. That lasts for a day or two.

Some of you might say, "Eve, why don't you look for the correct notebook until you find it and then write down whatever you need to?" That's a great idea. Unfortunately, I've learned from experience that if I wait, even long enough to find the proper notebook, I risk losing the thought completely. And that's even worse than finding a note about One Night With the Bad Boy in the notebook about The Billionaire's Charade:



Do you do what I do? Or are you far more organized? And if you are, can you help me?

The Billionaire's Charade will be available September 21. Look for all the Amalfi Nights Billionaire's Books:

Amalfi Night Billionaires Series
Book 1: The Billionaire's Temptation by Katherine Garbera out now!
Book 2: The Billionaire's Deception by Mimi Wells out now!
Book 3: The Billionaire's Betrayal by Nancy Robards Thompson 8/31
Book 4: The Billionaire's Secret by Kathleen O'Brien 9/14
Book 5: The Billionaire's Charade by Eve Gaddy 9/21

One Night With The Bad Boy is available now on Amazon, Barnes and Noble, Kobo, Ibooks and Google Play.


Monday, July 21, 2014

I Should Stick to Writing by Jenny Gardiner

            I hate that I'm an arts ignoramus. I wish I were that person who could steep myself in a classical music concert and not want to flee for the exit doors (although in truth, I get tired of even a normal concert after an hour or so and want to be done with that as well).  Or trot out to the ballet and really absorb the beauty before my eyes, rather than fidgeting or clock-watching. But try as I might, I just don't tend to gravitate toward fine art. I guess I'm a déclassé slob.
            I'm ashamed to admit the extent of my fine arts education (or at least that which imprinted in the haze of my brain) sprung from dubious sources. For painting, the board game Masterpiece was my instructor. Yep, my grasp of the Dutch Masters ran to the famed Rembrandt rendering of an old man who looks like an old woman with a feather in his/her cap. American classics? That celebrated all-night diner oil painting by Edward Hopper. I was particularly proud of myself when I recently recognized a spoof of Hopper's painting in the window of an alternative art gallery in Philadelphia. And to think I owe it all to Masterpiece creators, Parker Brothers!
            My appreciation of classical music and opera begins and ends pretty much at the Barber of Seville (make that Rabbit of Seville; thanks, Bugs Bunny). To be fair, I could throw in Elmer Fudd's Wagnerian masterpiece, "Kill the Wabbit!", just to put a finer point on that bonanza of childhood musical education. Likely my aversion toward classical music was further enhanced by my mother and her husband bombarding us with Pachebel's Canon till our ears practically bled. Gimme Bugs Bunny any day over that! In the immortal words of boxer Roberto Durán, no mas!
            The first time I traveled to Italy we hired a tour guide to show us around Florence for a few hours. The guide, an American ex-pat, had majored in Art History during college in the States, and immersed herself in glorious Renaissance art while studying abroad, loving the culture so much she stayed. I was amazed at the breadth of her knowledge and even more so the depth of her passion for the subject matter a double whammy of art and history zeal. Damn! When I was 18 years old, it would not have dawned on me to consider studying art. I thought I needed to pursue an area of study that would lead to a steady income (though recognize in hindsight that journalism didn't made so much sense in that endeavor). But art? I can't even doodle well! Why would I bother?
            Yes, I admit it: I'm a cultural troglodyte.
            I don't doubt that the manner in which history and art are taught contribute to one's ability to ingest it. I had a peculiar professor in a mandatory European history class during college who felt compelled to act out the high (or low) points of a thousand years of Europe, taking on often many roles in each class. I suppose there are those who were on board with it; I just thought it was a weird distraction.
            Yet when I've toured historical venues over the years, I find it most interesting to learn about day-to-day life from so long ago in some way I can better relate to that versus what Charlemagne was up to on his horse. Perhaps if I had approached the study of history and art from a plebian perspective, it would have struck a more familiar nerve, instead of merely ringing hollow. Better yet, perhaps an historical People Magazine-style education would have done it: celebrity gossip from the Middle Ages! Who's cheating on whom! What's popular this week in illuminated manuscripts and Gregorian Chants!
            Drats. Where my interest thrives in useless pop culture, it plummets when it comes to cultured culture.
            One thing I think would have helped immensely is emphasizing the whole notion of history being doomed to repeat itself. The older I get the more I see this again and again, and from this perspective it is ingrained into my brain more readily. It seems not a day goes by when that adage isn't reinforced in the news (Soviets invade Afghanistan; Soviets fail in Afghanistan. America invades Iraq; well, you know the drill.)
            Perhaps I'm taking baby steps toward acquiring some cultural enlightenment. Ish. Making a foray into a classier classicism, if you could dare call it that (granted it was by accident, but whatever works). Several weeks ago we purchased tickets to see Ben Folds in concert at Wolf Trap Farm Park. Folds is a musical genius whose earlier foray into contemporary music featured profanity-laced lyrics that are largely unprintable. He's since evolved, even launching the popular a capella show Sing Off, with nary an f-bomb.
            Too late I realized Folds was performing with the National Symphony Orchestra, which I figured meant I'd be asleep in ten minutes once under the influence of the dulcet strains of the violin section. One person in our group perhaps influenced by an upbringing devoid of musical culture (my bad!) — didn't care for the symphonic component of the program, But most unexpectedly, I was quite mesmerized by the merging of disparate musical genres in such a beautiful way. And when he impulsively composed an orchestral piece on the spot, teaching each part section by section, well, wow. It helped me to really appreciate how disparate instruments (and their masters) get along for the greater good of the group. It gives you a sense of comfort in this sometimes very dark world that ultimately people can work together to achieve something bigger than themselves as individuals.
            Maybe it's never too late to start with this newfound appreciation for the arts. Perhaps in addition to doing a bike or walking tour in the next city I visit, I'll venture into the museum as well. Certainly if they have air conditioning. And maybe a lovely little café. Baby steps, people.

  Sleeping with Ward Cleaver










Slim to None













Anywhere But Here
















Winging It: A Memoir of Caring for a Vengeful Parrot Who's Determined to Kill Me










Accidentally on Purpose (written as Erin Delany)


















Compromising Positions (written as Erin Delany)



















I'm Not the Biggest Bitch in this Relationship (I'm a contributor)



















And these shorts:
Idol Worship: A Lost Week with the Weirdos and Wannabes at American Idol Auditions


















The Gall of It All: And None of the Three F's Rhymes with Duck


















Naked Man On Main Street
find me on Facebook: fan page
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 find me on my website

Friday, April 11, 2014

My Life's Soundtrack

by Anna Campbell

Recently on Facebook there was one of those things going around where people tagged their friends to list ten things. I find these endlessly interesting - and almost invariably surprising. So I thought I'd break out of the Facebook ghetto and ask my Tote Bag chums the same question.

This particular meme doing the rounds was naming ten albums that have stayed with you. That doesn't particularly mean your favorite albums, but the ones that had some influence over you - or at least that's how I took it.

Inevitably, a lot of the records I picked (and I'm old enough that most of them actually WERE vinyl) went back to my childhood/teens and include some records my parents played a lot when I was a wee gel.

Here's my top 10 as of today (it's slightly different to the one I posted on Facebook but that's the nature of these things, isn't it?).

1. Swan Lake Ballet - Leonard Bernstein and the New York Philharmonic

2. Station to Station - David Bowie

3. Rubber Soul - the Beatles

4. Standing on a Beach (the Singles) - the Cure

5. Beethoven's Greatest Hits - various CBS artists

6. Les Miserables - Original Stage Cast

7. The Sound of Music - Soundtrack

8. The Glenn Miller Story - Soundtrack

9. My Fair Lady - Original Stage Cast

10. Lawrence of Arabia Soundtrack

So clearly my tastes run to classical and musicals with a bit of classic pop thrown in. Yup, that pretty much describes it, with a few movie scores as runners up.

It's been great fun to revisit some of the music that's influenced me. And even more fun to look at those album covers. Talk about a trip down memory lane! 

Now it's your turn. And if you want to put in a line or two about why you made your selections, I'd be very interested!

Oh, and by the way, if you don't follow me on Facebook, you can find me at:

https://www.facebook.com/AnnaCampbellFans

I'm pretty active there and I regularly do giveaways! 

Looking forward to seeing your music lists!

Saturday, January 11, 2014

Where Do I Begin?

I hope that title hasn't led you to expect a piece on how to start a novel!

It's a phrase that's been ringing in my ears for the last few weeks because Santa came a little bit early for me last year by way of talented Australian author Gracie Macgregor,  Gracie was clearing out her house preparatory to moving and she delivered a huge box of sheet music to my place.

What a treat! Fabulous, fabulous stuff!

Mainly hits of the 60s, 70s and 80s, with a very nice smattering of musicals like SOUTH PACIFIC and GUYS AND DOLLS and LES MISERABLES. The neighbors have started dreaming a dream - it involves me moving VERY far away!

And as I'm sure anyone of a certain age has guessed, among the jewels from a rich musical past comes the theme from LOVE STORY. Hence "Where Do I Begin?"

I'm still making my way through this collection. So far favorites include the aforementioned LOVE STORY theme, the GODFATHER theme, and Ballade pour Adeline which I've never particularly liked to listen to but which turns out to be fun (and reasonably easy - always welcome!) to play.

One source of really lovely music has turned out to be something called BUGS BUNNY'S BIRTHDAY ALBUM. Wasn't sure what to expect when I opened this one but it's full of all these beautiful songs from Warner Movies over the years published to celebrate the Warner Brothers 50th Anniversary back in the 90s. 

There's also a smattering of popular classics which I'm looking forward to bashing out. And some rather groovy 80s numbers which I don't actually think I'm hip enough to play. There's a reason I've steered clear of playing I Got Rhythm. I don't!

The photos only convey a smattering of the glories hidden in Gracie's present. I had a lovely time over the Christmas break bashing out showtunes and revisiting memories of my youth. Music is one of the quickest ways to access those memories, isn't it?

So do you play an instrument? Do you have a favorite show tune? I grew up on musicals so I'd be hard put to think of just one! 

Ah, "Memories light the corners of my life..." Yup. The Way We Were came in the box as well!