by Joanne Rock
As a writer, I am often asked where I get my ideas for
stories. I have a few answers for
this—all of them true.
Stories come from everywhere, I’ve insisted in online
interviews and casual conversations alike.
A magazine article, a TV news snippet, a character in a movie, an
argument between a couple in an airport—all of these have sent my mind on the
“what-if” journey that leads to a story.
Other times, depending on my opinions about my work on a
given day, I might suggest that story ideas often start with plot or character
and then I’ll build one to suit the other.
When characters are dogging me for a story, I might ask myself what
would be the most problematic situation I could put that particular hero and
heroine in. If a plot hook is niggling
in my brain, I’ll twist it in the other direction and ask myself what kinds of
characters would find that particular plot problem the most devastating? Yes, making life tough for our characters is
a writer’s job.
But today I’ve decided that trying to track down the roots
of a story is sort of like making my way through a labyrinth without the
benefit of Ariadne’s thread. I’ve culled
inspiration from so many numerous sources, pulling together so many different
ideas, that the end product feels wholly unique. The ideas have fused so fully that to trace
the root causes is almost impossible. I
might have pulled a character into the story that I conceived years ago and
couldn’t find a place to put him. I
might build a world around a tiny germ of an idea that didn’t work in a book I
wrote eons ago but now I’ve got new fuel for the concept and think I can make
it work.
Truly, some of the ideas are so deep rooted that they seem
to come from my toes. My stories
represent a million facets of my mental make up, the snippets of thoughts,
ideas, fears and dreams that make me.
So where do my stories come from? It’s a topic I love to think about. But in my book releasing April 3rd, EXPECTING A SCANDAL, the answer to the question is very different since it's part of the Texas Cattleman's Club series, which means the rough outline of the story was provided for me.
If you haven't read any books in this long-running Harlequin miniseries, you're missing out on a wonderful facet of series romance. By plotting the fictional world of Royal, Texas, and all the people in it, Harlequin provided its writers with a unifying setting that readers love to return to time and time again. When I was asked to pen EXPECTING A SCANDAL, I didn't need to dream up the characters... the arrived with their professions and conflicts ready to roll. Sure, I had to find ways to move the story forward and help the characters to fall in love, but it was a really different experience not using characters of my own creation. I can't wait to try another one.
